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Diamonds Are Forever

Film historian Dhruv Somani rewinds fondly to Hum Kisise Kum Naheen (1977), the last huge hit of the pure entertainer, produce...

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The Filmfare Awards: Nothing ‘Fair’ About It

The history of these prestigious awards is a sorry saga of favouritism and cronyism that has deprived deserving candidates time and again. Read More

LET THERE BE MUSIC

Khalid Mohamed replays a rare interview with Mani Ratnam on the director’s start-off collaborations with the then-freshe...

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NSD & Bollywood

Who is doing for whom? Monojit Lahiri does an interview-based close-up of this contentious issue.

Double Whammy

Film historian Dhruv Somani writes on Bollywood’s fascination for double role movies, down the decades.

PAST IS MY MASTER AND EVENING MY DAWN: VINAY SHUKLA

His film-work has been artistically selective and also across-genres, fairly mainstream, writes Aparajita Krishna.

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Size Matters?

Film historian Dhruv Somani writes on the phenomenon of filmmakers often selecting lengthy film titles.

FLASHBACK & FORWARD

Mahabanoo Mody-Kotwal, Om Katare, Ishitta Arun are performing artists who represent three generations respectively, writes Aparajita Kr...

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ILA ARUN: GIVING VOICE TO LIFE

Ila Arun is a woman of many parts and one who is in command of all of them. She has a contagious zest for life, writes Aparajita Krishna <...

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A Book Definitely For Keeps

Monojit Lahiri’s take on Dadamoni: The life and times of Ashok Kumar by Nabendu Ghosh.