Abuli Mamaji is Nikhil Pherwani’s Ahaan

Vinta Nanda writes: For once a film centered on a person differently abled is not about the so-called normally-abled character...

More than a woman: Gajra Kottary

Vinta Nanda grabs an opportunity to talk to author and screenwriter Gajra Kottary about her work and also her latest release N...

How to combat the coronavirus right now

Dr. Kishore Madhwani writes on everything you must know today with the nation’s ongoing tireless vaccine drive and how w...

#MeToo: Has the movement slipped through the cracks?

Vinta Nanda wonders if the #MeToo movement changed anything for women who wanted to speak against sexual harassment.   Read More

India flattens curve, but precautions are a must

Dr. Kishore Madhwani writes on the flattening of the COVID-19 graph in India, and emphasises that COVID Appropriate Behaviour ...

Renuka Shahane: The Complete Woman

Vinta Nanda is on a rollercoaster ride with Renuka Shahane. The two begin from where the actor...

Rajeshwari: Queen of her roles

Aparajita Krishna zooms in on Rajeshwari Sachdev of a delicate, petite frame, who has a very commanding acting presence and rules the little ki...

In gentle streets where people play

I first met Suryaveer (it tickles my Panjabiat to call him Veera) in the year 2004, writes Vinta Nanda

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The Journalist and the storyteller: Sujata S Sabnis

Everybody is talking about Sujata S Sabnis’ latest book Blood on the Sands, writes Vinta N...