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Half a lifetime: Rahul Vohra

It’s a dress-circle view that Vinta Nanda brings,...

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Sita Rattan: Her blue and yellow moments

Vinta Nanda visits Sita Rattan’s canvases and explores the well of consciousness that she draws out her art from.

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A Quart of Ray

Ever since Satyajit Ray passed away, his works have made it to the screen in sterile, ineffectual adaptations. Netflix’s Ray corrects tha...

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Rambha Ho: Never Say Never

“Who says I have quit forever”, asks the screen sensation of unforgettable dance numbers, Kalpana Iyer, in a chat-fest with film hi...

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Three Colours: Red - A celluloid poem

Mallika Bhaumik reviews Krztysztof Kieślowski’s Three Colours Red and reads the auteur’s mind while elucidating her own thoughts ...

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Manush Bhalo Nei: Anupam Roy with Cizzy

Anupam Roy’s new single, featuring young Bengali rapper Cizzy, weaves in the COVID experience with some telling political commentary. The...

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A dog, a boy and a film: Musings on Kala

Janaky Sreedharan reviews the Malayalam film Kala (the unwanted) and raises questions on the obsession with violence and its d...

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Signs of the times: India’s battle for its soul

Humra Quraishi looks back at the last seven years in India, through the lens of A.G. Noorani’s writings about the RSS an...

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Not time-pass. Lockdown is time well spent

Senior professionals from various fields talk to Monarose Sheila Pereira about how they have honed various skills during the p...

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Signs of the times: Death and Destruction

Humra Quraishi recalls Saadat Hasan Manto in the month of his birth, and imagines what he would have said and written in these...

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