Radical and Revolutionary: Smruti Koppikar

In this interview with Vinta Nanda, Smruti Koppikar throws light on the way that journalism in India has chan...

Practise Propriety: CINTAA to Indian Television News Media

The Cine and TV Artists Association (CINTAA) is upset over the objectionable way that a section of Indian Television News Media is characterizi...

The Glad and the Sad

Even as COVID-19 spikes on, the film soundtracks of yesteryear offer some solace and relief. Khalid Mohamed writes on the vast...

Zen and the art of Sanjay Chhel

Vinta Nanda goes on a roller coaster ride with Writer, Director, Artist, Lyricist, Columnist a...

Abdullah Khan of Patna Blues

Aparajita Krishna writes that the debut novel of the 49 year old author born in village Pandari, 40 Kms from Motihari in Bihar...

Over my dead body

Aroona Bhat decodes the last breath; the many times people inhale and exhale before they take it. She figures, that life&rsquo...

Those Placid Waters

Humra  Quraishi tells another heartbreaking shortstory, set in Kashmir, where the blur between who is the enemy and who i...

The second last word

Vinta Nanda writes about the prevailing culture in the business of media and entertainment in India. 

Read More

Cinema of Resistance

Reema Moudgil walks us through some compelling cinema over the last seventy years of India’s independence, which has chr...