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Such Desperate Measures

Khalid Mohamed reviews the thriller Flat 211, the spy drama London Confidential and more showing currently on the streaming ch...

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Clicking London

Vatsal Shah’s photo-essay set in the British capital, where the only constant is change.

Salim Arif: His Work of Many Parts

It is a daunting task to undertake summarising Salim Arif’s multifaceted talent and work resume in a few pages, writes ...

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Rucha Pathak: Giving vision and wings to the entertainment-fare.

Aparajita Krishna goes on a long walk with Rucha Pathak and gets her talking about her journey - from a student of media to le...

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The Glad and the Sad

Even as COVID-19 spikes on, the film soundtracks of yesteryear offer some solace and relief. Khalid Mohamed writes on the vast...

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Brush with controversy

Khalid Mohamed recalls the needless controversy stirred up by a M.F.Husain artwork of Lord Ganesha, although his canvases, lim...

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Whose Bollywood is it anyway?

Vinta Nanda disagrees with Kangana Ranaut’s rants on national television, which cleverly camouflage political mischief.<...

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Richard Gere: In Conversation

This is the 30th year of the global hit Pretty Woman. Khalid Mohamed pulls out excerpts from an exclusive interview with Richa...

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Order! Order!

Film historian Dhruv Somani, zooms in on Bollywood&rsqu...

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Vanished III: The male actors who disappeared from Bollywood

Film historian, Dhruv Somani, concludes his series on t...

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