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Mise en scene: a metaphysical expression

Sharad Raj writes that to arrive at one’s mise en scene is to liberate oneself from dogmas that are both personal and in...

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The Joy of Photography

Khalid Mohamed in conversation with multi-media professional, indie-filmmaker and still photographer Arin Paul on how to see t...

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The narrative doesn’t hit home: Tangra Blues

Acclaimed documentary filmmaker Supriyo Sen’s debut feature never quite hits the narrative highs, existing in the zone between good visua...

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Signs of the times: Nothing’s right

Humra Quraishi says that the signs of fascism are spreading, yet as mute spectators we sit quiet and subdued.

An auteur in the true sense: Werner Herzog

The new wave German cinema with its mighty generals like Wim Winders and Reiner Werner Fassbinder had a maverick for company, an eccentric geni...

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The Woman in White

Film historian Dhruv Somani re-assesses Raj Khosla’s iconic suspense-filled Woh Kaun Thi, produced by NN Sippy under his...

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Signs of the times: She’s a street fighter

Humra Quraishi questions EVMs, expresses fear and helplessness among people with regard to dem...

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Hiralal: A rare biopic on a pioneer of Indian cinema

The fascinating life of Hiralal Sen probably needed more visual flair, writes Shantanu Ray Chaudhuri

Call of the Valley

A photo-essay by Ashis Ghatak: On the placid side of Kashmir and its infallibly hospitable mountain folk.

When you miss India

Monarose Sheila Pereira speaks to some folk to find out what they miss about India when they travel out of the country.

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