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Literary landmark in world fiction: Kabuliwala

Rinki Roy Bhattacharya spells out the significance of Rabindranath Tagore’s Kabuliwala today, in building compassion, to...

Thought Factory

DILIP KUMAR: THE BIG BURGLAR

Dilip Kumar burgles his way into the performance of every Indian actor of substance whether the actor likes it or not, writes Kamlesh P...

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Bollywood

Man of Miracles

Khalid Mohamed misses the wonder director Manmohan Desai, whose ultimate ode to secularism, Amar Akbar Anthony, is such a perf...
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TV

Romance in the 1984 Sikh Riots: Grahan

The OTT platforms have released a few remarkable web series display...
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Business and Politics

Sign of the times: This is the darkest hour

Humra Quraishi revisits her conversations with Saira Banu and Khushwant Singh, both of whom had predicted that the times...
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Sustainable Development

Helplines: Warriors at the forefront

Professionals talk to Monarose Sheila Pereira, about th...
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Movies

Reel Nurses

Film historian Dhruv Somani, recalls the Florence Nightingales of Bollywood cinema.

Read More<i class="fa fa-angle-double-right"></i></a> </div> </div> <div class="item image-left"> <div class="item-header"> <a href="/in-the-news/signs-of-the-times-breaking-the-silence/4fb5ad51f88cba11" class="image-hover"> <figure> <img src="dailyeye_cms/Image/2021/06/1622825054Retroscope_-_Post_(1)_(3)-280X201.jpg" /> <svg viewBox="0 0 0 0" preserveAspectRatio="none"><path d="M 0,0 0,0 0,0 0,0 0,0 z" fill="#1985e1" /></svg>  </figure> </a> </div> <div class="item-content"> <div class="content-category"> <a href="blog.php?subcategory=Trending" style="color: #1985e1;">Trending</a> </div> <h3><a href="/in-the-news/signs-of-the-times-breaking-the-silence/4fb5ad51f88cba11">Signs of the times: Breaking the silence</a></h3> <p><p style="text-align: justify;"><strong>Humra Quraishi</strong> explores why even the brave and honest in positions of authority choose to remain silent when they are witness ...</p> <a href="/in-the-news/signs-of-the-times-breaking-the-silence/4fb5ad51f88cba11" class="read-more-link">Read More<i class="fa fa-angle-double-right"></i></a> </div> </div> <div class="item image-left"> <div class="item-header"> <a href="/thought-box/a-dog-a-boy-and-a-film-musings-on-kala/1314bae5d3cf4d2f" class="image-hover"> <figure> <img src="dailyeye_cms/Image/2021/06/1622477261Retroscope_-_Post_(4)-280X201.jpg" /> <svg viewBox="0 0 0 0" preserveAspectRatio="none"><path d="M 0,0 0,0 0,0 0,0 0,0 z" fill="#1985e1" /></svg>  </figure> </a> </div> <div class="item-content"> <div class="content-category"> <a href="blog.php?subcategory=Thought Factory" style="color: #1985e1;">Thought Factory</a> </div> <h3><a href="/thought-box/a-dog-a-boy-and-a-film-musings-on-kala/1314bae5d3cf4d2f">A dog, a boy and a film: Musings on Kala</a></h3> <p><p style="text-align: justify;"><strong>Janaky Sreedharan</strong> reviews the Malayalam film Kala (the unwanted) and raises questions on the obsession with violence and its d...</p> <a 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historian <strong>Dhruv Somani</strong>, rewinds to the classic chiller, which continues to enthrall viewers of all generations, ever sinc...</p> <a href="/true-review/bees-saal-baad-revisited/a188c2cef6790a18" class="read-more-link">Read More<i class="fa fa-angle-double-right"></i></a> </div> </div> <div class="pagination"> <ul class='pagination'><li class='prev page-numbers' class='page_info'>Page 19 of 61</li><li><a class='prev page-numbers' href='?search= Eyes&submit=&page=18'><i class='fa fa-caret-left'></i> Previous Page</a></li><li><a href='?search= Eyes&submit=&page=1'>1</a></li><li><a href='?search= Eyes&submit=&page=2'>2</a></li><li class='dot'>...</li><li><a href='?search= Eyes&submit=&page=17'>17</a></li><li><a href='?search= Eyes&submit=&page=18'>18</a></li><li><a class='current'>19</a></li><li><a href='?search= Eyes&submit=&page=20'>20</a></li><li><a href='?search= Eyes&submit=&page=21'>21</a></li><li class='dot'>..</li><li><a href='?search= 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