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IS IT TIME TO RECONSIDER THE TERM BOLLYWOOD?

Monojit Lahiri does a close–up of this tricky issue and reaches out to the readers now for a solution to the word Bollyw...

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THE OPTIMISTS - 2023

Vinta Nanda glides into the next year with this: I decided to focus on hope and confidence, on the positive i...

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Childhood, Holocaust and the Cinema of Louis Malle

Louis Malle’s semi-autobiographical 1987 film ‘Au revoir les enfants’ or ‘Goodbye, Children’ belongs to this rare...

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When Disaster Strikes

Film historian Dhruv Somani re-visits Yash Chopra’s Kaala Patthar (1979), based on the true-life Chasnala coal-mining tr...

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The Two Who Went Away

Film historian Dhruv Somani laments the fact that the alluring Prema Narayan and Jasmine quit Bollywood way too prem...

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THERE CAN NEVER BE ANOTHER… SUCHITRA SEN!

Matchless! Timeless! Deathless! On her 91st Birthday, Monojit Lahiri pays homage to Bengal’s gone but never forgotten, l...

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You’ve come a long way – Baby!

Monojit Lahiri reviews Shobha De’s Lockdown Liaisons and gives it a thumbs up!

Firs...

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YRF Crashes into the OTT universe

Monojit Lahiri investigates whether the grand entry of YRF into the OTT universe is a blessing or a curse.

The art of Gaganendranath Tagore

At the height of darkness comes the first stirrings of dawn - a renaissance in the arts, literature and social life. It is against this backdro...

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Eternal Virgin: Setsuko Hara

Among iconic names like Ozu, Kurosawa, Immamura and Koreeda is the name of Setsuko Hara who is celebrated as the ‘Eternal Virgin’, ...

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