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ALTERNATIVE ENTERTAINMENT: PHAS GAYA SYSYPHUS IS TRUE INDEPENDENT EXPRESSION

Saumesh Bangera’s cinema is a perfect manifestation of the phenomenon of democratisation of filmmaking since it got morphed into the digi...

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ALTERNATIVE ENTERTAINMENT: MUSIC OF THOUGHT AND IMAGINATION

It is Kumar Shahani's Khayal Gatha (The Saga of Khayal), a 1989 Indian experimental film written and directed by Kumar Shahani, that O....

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ATTACKS ON MEDIA ARE INTENSIFYING: CIVIL SOCIETY GROUPS

India stands at 161 out of 180 nations in the world press freedom index, say civil society groups, reports the #Newsdesk

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AGEISM, STEREOTYPING AND PAY DISPARITY IN BOLLYWOOD

While Bollywood, masters of tokenism, has occasionally tried to counter ageism and stereotyping, it has mainly played safe, distancing itself w...

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SUPPORTING ACTORS KA TIME AAGAYA!

Monojit Lahiri investigates the phenomenon of supporting actors in Bollywood transitioning from being sideys in the past to ta...

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KANWALJIT SINGH: Life & Roles!

Aparajita Krishna tells you all about the tall, handsome actor Kanwaljit Singh in this unputdownable interview with him.

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Courtesan Queen

As Rekha brings in her 68th birthday, film historian Dhruv Somani recollects her famous roles as the courtesan who danced her ...

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When Disaster Strikes

Film historian Dhruv Somani re-visits Yash Chopra’s Kaala Patthar (1979), based on the true-life Chasnala coal-mining tr...

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The Two Who Went Away

Film historian Dhruv Somani laments the fact that the alluring Prema Narayan and Jasmine quit Bollywood way too prem...

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Walk in, walk out

Film historian Dhruv Somani, writes on Bollywood’s ceaseless dilemma of wasteful changes in the cast of actors because o...

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