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A QUESTION MARK IN THE FACE OF A COLLECTIVE LIE

Humra  Quraishi questions the many lies, when too often said aloud, and made out as propaganda, seems to sound like the t...

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RENAMING AND SHAMING!

Humra Quraishi discusses the weapons of mass ‘distractions’ being used, by the Right-Wing forces, to deflect peopl...

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Sabarmati Ashram: To be or not to be

 

The government is mulling over revamping Sabarmati Ashram; people from various walks of life talk t...

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Mirror, Mirror on the Wall

In Agnès Varda’s 1962 film Cléo from 5 to 7 (French title Cléo de 5 à 7)...

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Climates: A metaphor for changing human behavior

Since the time of Ataturk, Turkey has been home to westernized intellectuals, writes Sharad Raj ...

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Oh Rajasthan!

A photo-essay by Vatsal  Shah of the former royal state of Rajasthan, where tourists and photographers flocked during the...

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Just Carry on: Ebrahim Alkazi

Aparajita Krishna walks you through the life and times of Ebrahim Alkazi; also what it was, that he meant to Indian Theatre.

Of Silent Havelis

Ashok Sood’s photo-feature on the gorgeous havelis of Nawalgarh, Rajasthan, which like other tourist hubs of India, will...

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Pupils of a lesser God

Zuhaib, a student of mass communication at Jamia Millia Islamia University says that because of the lockdown all his classes are now online. Hi...

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Bhubaneshwar Art Trail: A Unique Public Art Exhibition in India

Bhubaneshwar is a beautiful city set in the Indian state of Orissa. It is well-known as the ‘Temple City’ of the country. On the 18th of this month, the city ki...

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