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Powerful People

SHE WHO TOOK INDIAN CINEMA GLOBAL

Producer and global film strategist Gayathiri Guliani speaks to Vinta Nanda about Indian cinema’s international growth, ...

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Bollywood

DAADI KI SHADI REVIEW ANALYSIS

Arnab Banerjee reviews Daadi Ki Shadi, examining its progressive premise, hesitant storytelling, uneven humour, and N...

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Alternative Entertainment

ANANTH MAHADEVAN AGAINST THE ODDS

In this candid interview with Khalid Mohamed, filmmaker-actor Ananth Narayan Mahadevan reflects on cinema, theatre, rejection,...

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Powerful People

MIRROR TO A CAUSE: CINEMA OF ANSHUL SINHA

Anshul Sinha’s journey through indie cinema reflects risk and purpose, as his film Million Views attempts to heal a frac...

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Thought Factory

AI DISRUPTS CINEMA AND IDENTITY

As artificial intelligence reshapes cinema, actors confront the loss of control over identity, image, and livelihood, writes <...

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Powerful People

ESCAPING INTO REALITY: KETAKI SHETH

Ketaki Sheth, a renowned image-maker, with four decades of dedication to a wide spectrum of themes and subjects, who is curren...

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Thought Factory

CINEMA VERSUS VERTICAL STORYTELLING SHIFT

Vinta Nanda explores how vertical storytelling is reshaping audience behaviour, why independent cinema must build communities,...

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Powerful People

IT’S A CONSTANT BATTLE – RAHI ANIL BARVE

The creator of the belatedly lauded Tumbbad, Rahi Anil Barve, who continues to be a warrior for the cause of experime...

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TV

WHY INDIAN TELEVISION IS FAILING

Vinta Nanda examines the sharp decline in Indian television viewership, exposing outdated storytelling, stagnant formats, and ...

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Alternative Entertainment

BHARATMATA BROUGHT BACK TO LIFE!

Bharatmata cinema hall returns to Mumbai’s Lalbaug, writes Avinash Kolhe, reviving single-screen legacy, Marathi cinema ...

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