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I MAKE REGIONAL CINEMA THAT RESONATES WITH GLOBAL AUDIENCES: DISHA BHARDWAJ

Vinta Nanda gets in conversation with Disha Bhardwaj, a young filmmaker, whose first film Chupi Roh is selected to screen at t...

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I WOULDN’T HAVE IT ANY OTHER WAY!

Vinta Nanda explores the making of a poet, reaching nowhere obviously, because ‘if we knew what makes a poet, everyone w...

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Diamonds Are Forever

Film historian Dhruv Somani rewinds fondly to Hum Kisise Kum Naheen (1977), the last huge hit of the pure entertainer, produce...

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Touch of Class

As Dimple Kapadia’s birthday approaches on June 8, film historian Dhruv Somani tracks how she has made strong fashion st...

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The Caravans Of Movement

Humra Quraishi writes, “The World Refugee day, on the 20th of June, is not too far away. It’s time for ...

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This Distance

Humra Quraishi talks about the senselessness of war and its impact on the lives of helpless people – she questions the p...

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Bringing up Bobby

Khalid Mohamed reboots his conversation with the ever-gorgeous Dimple Kapadia on her life and career-defining debut in Raj Kap...

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Taboo Love and the Sensibility of Agnès Varda

Her cinema played with subversive and controversial subjects even as she kept up her engagement with the political environment of her times int...

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My first trip on Air-India

With Air-India in the news, Farrukh Dhondy reminisces u...

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They go to die there, where there is life

Humra Quraishi veers to the bard, Gulzar’s verse written by him in the times of the pandemic.