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Satyajit Ray: The man who knew too much

In a new book, Barun Chanda, who acted in Satyajit Ray’s Seemabaddha, goes down memory lane about his experiences of working with Ray. Sh...

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Bengal in Bengaluru: The Kolaj Bengal Film Festival

The first edition of the Kolaj Bengali Film Festival was a welcome effort in getting Bengali films a national reach. Shantanu Ray Chaud...

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50 years of "The Godfather"

The Corleone’s and the poetry of Crime is what Sharad Raj examines after watching The Godfather for the nth time on the ...

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You’ve come a long way – Baby!

Monojit Lahiri reviews Shobha De’s Lockdown Liaisons and gives it a thumbs up!

Firs...

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Abanindranath Tagore: The enigmatic original who wrote art and painted words

The founder of the Indian Society of Oriental Art, Abanindranath Tagore’s work defies any straightjacketing, writes Shantanu Ray ...

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His own terms: Sharad Raj

Ek Betuka Aadmi Ki Afrah Raatein is now streaming on Eventscape Vod Platform. Vinta Nanda has a chat with director Sha...

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Shakespeare in Bollywood

Shakespeare travels, writes Farrukh Dhondy, in his piece on how well and how not so well the bard’s writing has been ada...

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A Faust for Bangladesh

Farrukh Dhondy at his best as he recounts the attempt he once made to adapt Goethe’s Faust for the Bangladeshi screen. Read More

A letter to my younger self

Farrukh Dhondy writes to himself in this hilarious yet very poignant piece. You ‘must’ read it!

The Mystery of the Missing Earri

Juhi Saklani looks back at Hindi films to trace the role of the jhumka, gale ka haar and paayals in storytelling, which convey...

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