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Justice for Jayaraj and Fenix

Anupama Mandloi writes that repressed ills of society have begun to boil over from years of subjugation into a world, which is...

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Solace: In the time of the Coronavirus

Abhinav Krishan, a New Delhi corporate executive, writes on why he fled to the hills close to Dehradun, to commune with nature...

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On being an Indian: Ruskin Bond

In his essay, "On being an Indian", Ruskin Bond explains his Indian identity, "Race did not make me one. Religion did not make me one. But...

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Scream!

Dhruv Somani, author of a set of four books A Touch of Evil, selects five horror flicks, which unwittingly went through the crrrrreaky cracks.<...

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Bollywood’s leap out of the closet

“It is an old stereotype, that homosexuality has to do only with sex while heterosexuality is multifaceted and embraces love and romance....

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The Tale: A First Person Account on Life as a Survivor

We finally have a film which takes on the #MeToo movement. Hollywood producer Harvey Weinstein's scandal kicked off an international reckoni...

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How Classics Define Today’s Hollywood

While looking back into the history of cinema isn’t the preference of youth today, it's no doubt that cla...

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Barry: Blended in Comedy and Conscience

The last podcast I heard gave me so much meaning to my life on a personal plane. Let’s chip away the redu...

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Laughter in Lahore

Despite its image as a repressed nation torn by turmoil, Pakistan's alternative art movement is slowly making heads turn. Auratnaak, an all-women group of comedy a...

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Speaking About Rape Is Scary. For Some Writers, Fiction Can Help

“The first person to tell me I was gang-raped was a therapist, seven years after the fact,” novelist Jessica Knoll wrote in an essay for Lena Dunham and JenniKo...

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