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The Filmmaker And The Feminist

Vinta Nanda chats with Rinki Roy Bhattacharya, one of the first feminists, a woman greatly respected by the entire fraternity ...

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Crime Drama, Women and Claude Chabrol!

Writes Vandana Kumar, “No one takes you away from one-dimensional morality while trying to fathom his women charact...

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Sardar Udham: The Shadow Man

Satyabrata Ghosh explains why the film Sardar Udham should be watched to fathom what undying love for one’s own country ...

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Claude Chabrol and The Poetics of Murder

My first exposure to the ‘French New Wave’, La Nouvelle Vague, was through Claude Chabrol’s Violette Nozière (1978). M...

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Where heroines dare

Film historian, Dhruv Somani, writes on leading ladies ...

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Life’s a beach!

A photo-feature by Megh Bhavsar on the hidden beaches of Mumbai.

Text: Khalid Moh...

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Justice for Jayaraj and Fenix

Anupama Mandloi writes that repressed ills of society have begun to boil over from years of subjugation into a world, which is...

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Solace: In the time of the Coronavirus

Abhinav Krishan, a New Delhi corporate executive, writes on why he fled to the hills close to Dehradun, to commune with nature...

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On being an Indian: Ruskin Bond

In his essay, "On being an Indian", Ruskin Bond explains his Indian identity, "Race did not make me one. Religion did not make me one. But...

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Scream!

Dhruv Somani, author of a set of four books A Touch of Evil, selects five horror flicks, which unwittingly went through the crrrrreaky cracks.<...

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