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Sycophancy: At the intersection of Art & Politics

Vinta Nanda writes about the mood in the country. She says that Bollywood and Indian Politics,...

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Undekhi: Plain Vanilla, Distasteful Hype

Dr Sandeep Goyal says that SonyLiv's latest thriller offering Undekhi, has landed itself in an unenviable soup of its own maki...

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Lost Melodies: Bollywood’s vast film music heritage

Anil Dixit, walks down melody lane, to select five vastly underrated music scores

My go-to metaphor for Hindi film music is that it’s a rich ...

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Our Tarzans: Bollywood’s romance with the Lord of the Jungle

Film historian, Dhruv Somani, tracks down the unusual repertoire of desi Tarzan movies, which once used to delight Indian audi...

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No place to hide

Humra  Quraishi writes this short story about a brother, who comes visiting his sister to...

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The second last word

Vinta Nanda writes about the prevailing culture in the business of media and entertainment in India. 

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Shot by Shot: Politics of photography

Young photographer Vatsal Shah writes on the obstacles ...

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Anwesha Arya: The Miracle Woman

In times when many of Bollywood boys and girls are under the scanner, Vinta Nanda interviews Anwesha Arya &nd...

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Tara Kaushal: Why Men Rape

Vinta Nanda interviews author Tara Kaushal, on the eve of the release of her book Why Men Rape...

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No Entry: Hazards in staging a theatre play in Mumbai

Khalid Mohamed recounts his peril-fraught, one-off experience in staging ‘Kennedy Bridge’, a play on yesteryear&rs...

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