Oh, those snakes and ladders

Khalid Mohamed reviews the politics-as-usual drama Madam Chief Minister, is brain-boggled by Qubool Hai 2.0 and finds sol...

Abuli Mamaji is Nikhil Pherwani’s Ahaan

Vinta Nanda writes: For once a film centered on a person differently abled is not about the so-called normally-abled character...

Days of qawwalis

Film historian Dhruv Somani asks why have the qawwalis, once a big draw in the Bollywood movies, have gone with the wind today...

Goodfellas: The patriarchal architecture of the mafia world

Goodfellas is considered to be one of the greatest gangster films ever, writes Sharad Raj.

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Once upon a foggy night

Film historian Dhruv Somani, re-assesses the 1964 suspense thriller Kohraa, which he asserts is grossly undervalued.

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Signs of the time: The vacuum

Humra Quraishi imagines what it would be like if India is to have a ministry of loneliness and leaves you to ponder over a bea...

The apotheosis of the new wave: Jules et Jim

Godard’s Breathless and Truffaut’s Jules et Jim are the cornerstones of one of cinema’s most ...

Sign of the times: Silencing Zillennials

Humra Quraishi expresses anguish at the systematic crushing of dissent among the young generations today.

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Voices we miss

Film historian Dhruv Somani, chronicles the popular film playback singers, who are rarely heard today.

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