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A look back at Mira Nair’s tale of Home: Mississippi Masala

Aditi Singh revisits the film Mississippi Masala, thirty years after its release, and recalls the metaphors of ‘home&rsq...

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Mahishasur Marddini: Endless Night…

Filmmaker Ranjan Ghosh speaks to Shantanu Ray Chaudhuri about his soon-to-be-released film…

Claude Chabrol and The Poetics of Murder

My first exposure to the ‘French New Wave’, La Nouvelle Vague, was through Claude Chabrol’s Violette Nozière (1978). M...

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Scripting doomsday!

In the last few years, which were bedevilled with ambivalence, ambiguity and plain misunderstandings, statements of people in power or celebrit...

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Ritu Nanda’s memoir by Sathya Saran

Being Ritu Nanda: The Unforgettable Story of Ritu Nanda was released recently, here’s the writer Sathya Saran in conversation with Vinta ...

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‘The Poetic Minimalism’ of Abbas Kiarostami

 Abbas Kiarostami (1940-2016) is unarguably the most known face of Iran on the map of World cinema, writes Vandan...

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Death of the language and a metaphor

Humra Quraishi expresses her anguish at the mindless violence and hatred spreading across India, which is also attacking the c...

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‘Having a blast’ is a very ordinary thing to do!

How often have we all said, “Hey, let’s have a blast”, or, “What a blast we had last night”, writes Vinta...

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Celebrating Bachchan!

It’s his 79th birthday on the 11th October, and S M M Ausaja writes that It’s not easy to ch...

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Signs of the time: What Gandhi didn’t want

Humra Quraishi looks at the indiscriminate violence taking place around the country ironically...

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