Not time-pass. Lockdown is time well spent

Senior professionals from various fields talk to Monarose Sheila Pereira about how they have honed various skills during the p...

When men change and repent: Cinema of Kenji Mizoguchi

Men are at loose ends without women to enslave, to desire, to abandon. Sharad Raj explores why the director is forgiving of th...

Reflecting humanity through the struggle of a woman: Federico Fellini

Much before he made 8 ½, Federico Fellini, the Italian master, had honed his neo-realist pursuits, writes Sharad Raj. <...

Easter Reflections

Christians share their reflections with Monarose Sheila Pereira, this Easter. Over to them...

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Abuli Mamaji is Nikhil Pherwani’s Ahaan

Vinta Nanda writes: For once a film centered on a person differently abled is not about the so-called normally-abled character...

Sign of the times: The sun shines on everybody

“Why don’t the people of today take lessons from our history, literature and poetry”, asks Humra Quraishi Read More

More than a woman: Gajra Kottary

Vinta Nanda grabs an opportunity to talk to author and screenwriter Gajra Kottary about her work and also her latest release N...

Exploring the Darker Side

After watching a couple of her films, Vandana Kumar believes, that it couldn’t be merely a coincidence that Isabelle Hup...

The Cinema of Tengiz Abulnadze

All of Abulnadze’s important films especially his much acclaimed The Georgia Trilogy exemplify the key fe...