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The Art of Ramkinkar Baij

Modern Indian sculpture as we know it began with Ramkinkar Baij. Shantanu Ray Chaudhuri looks at the works and legacy of a pio...

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Hello, says the killer: Mukhosh

This serial cop-killer flick does not quite cut it either as a thriller or as a statement on crime and punishment, writes Shantanu Ray ...

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Hamari Amita: Critic who called the shots

Khalid Mohamed remembers the super-feisty Amita Malik who was described by Time magazine as “the most prominent film and...

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Gopal Chaturvedi: The Iconic Satirist

His old-world charm is still fresh and infectious and he is a man of all seasons, writes Kulsum Mustafa

Silence: The language of God

A piece of appreciation of Martin Scorsese’s 2016 epic historical drama Silence, by Berges Santok

&n...

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Sagar Sawarkar & the Indian Idol Connect!

Aparajita Krishna travels with Sagar Sawarkar’s musical journey and shares her experience with us.

Posters Forever!

Khalid Mohamed, tracks the spiralling demand for nostalgia-exuding vintage Bollywood posters a...

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CLASSIC HEIST: Six Films That Define the Genre

For a generation weaned on the high-tech-and-gizmo-aided heist of Steven Soderbergh’s Ocean Eleven or Dom Cobb’s equally SFX-aided ...

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Flowers for Fr. Stan Swamy sj

These wonderful tributes from citizens of different communities, collected by Monarose Sheila Pereira, pay respect to the grea...

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Shyamal Uncle turns off the lights

In the first of a new series on standout Bengali films post 2000, Shantanu Ray Chaudhuri looks at Suman Ghosh’s 2013 fil...

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