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The Hairdresser’s Husband: Too Much of a Good Thing?

Vandana Kumar explores how a film like The Hairdresser’s Husband starts as a man’s...

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The Missing Documentary

Khalid Mohamed writes on his documentary on the superstar cinematographer, Ashok Mehta, which ...

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Hitchcock’s Shadow

Khalid Mohamed writes on the influence of the Master of Suspense on Bollywood movies, which was infinitely preferable to blood...

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A dog, a boy and a film: Musings on Kala

Janaky Sreedharan reviews the Malayalam film Kala (the unwanted) and raises questions on the obsession with violence and its d...

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Bees Saal Baad Revisited

Film historian Dhruv Somani, rewinds to the classic chiller, which continues to enthrall viewers of all generations, ever sinc...

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Sentimental journey

Khalid Mohamed shares an insightful conversation with the legendary Ashok Kumar aka Dadamoni, the ever-lovable actor who would...

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Sentimental journey

Khalid Mohamed shares an insightful conversation with the legendary Ashok Kumar aka Dadamoni, the ever-lovable actor who would...

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Woh Sadhana thi

The cine-young living in the 60-year-old that I am, refuses to abandon my lingering fascination for actress Sadhana, writes Aparajita K...

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After a Pause

Film historian Dhruv Somani, writes on Bollywood’s comeback syndrome, or why top stars quit and then reboot their careers.

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Rogue Thinker

Khalid Mohamed’s never-before published interview with the dogged rule-breaker, Ram Gopa...

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