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The Unending Tragedy

Humra Quraishi views the conditions prevailing for the convicted and undertrials in Kashmir through the lens of writings about...

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Double standards… all the way!

Humra Quraishi goes over the many events of recent past in which it is getting clearer by the day that the discrimination agai...

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Memories of an advertising man…

In this fascinating first-person-account, Monojit Lahiri, known for his Bollywood-driven opinion pieces, tracks the changing c...

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Sabarmati Ashram: To be or not to be

 

The government is mulling over revamping Sabarmati Ashram; people from various walks of life talk t...

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EXIT: T-20 WORLD CUP MADNESS! RE-ENTER: HUSBAND!!

Monojit Lahiri records the hilarious lamentations of a World Cup Widow, just married, with the hubby clean bowled by the Dadim...

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Hinduism, not Hindutva, was Nehru’s idea of India

Let us not be in any illusion. Being complacent basis the belief that there’s any sensitivity left in the discourse would be wrong, write...

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In the land of the capitalists

‘Battleship Potemkin’ was premiered at the historic Bolshoi Theatre auditorium in Moscow on December 21, 1925, writes Monis...

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Game Changer, Marketer, Entertainer, Interpreter: The Film Critic

Monojit Lahiri investigates through the incisive commentary of critics as well as filmmakers, what film reviews and film criti...

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‘The Poetic Minimalism’ of Abbas Kiarostami

 Abbas Kiarostami (1940-2016) is unarguably the most known face of Iran on the map of World cinema, writes Vandan...

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The Three Khans and the emergence of new India

Kaveree Bamzai’s book with fascinating long shots and close-ups is unique for several reasons, writes Monojit Lahiri. Fo...

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