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WHO SHOULD BE MADE TO COMPENSATE?

From the institutionalisation of bias to literature about the greatest artists of the past, Humra Quraishi’s c...

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Art Passion

Khalid Mohamed in conversation with poet-photographer-artist, Amit Kumbhar, for whom art counts way more than fame or mon...

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On Watching Ponniyin Selvan

Satyabrata Ghosh reviews PS-1, a Mani Ratnam film, and discusses why such alternate content is of prime importance at a time w...

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Dream Interrupted

Film historian Dhruv Somani laments the fact that Muzaffar Ali’s Zooni (1989), with Dimple Kapadia in the title role, co...

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This Distance

Humra Quraishi lays out the importance of the Bharat Jodo Yatra in context to similar Yatras taken by great men like the Mahat...

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DOES DAZZLING BEAUTY HIJACK TALENT?

Monojit Lahiri investigates the conundrum surrounding beauty and brains, in real and in real life, that has been going on...

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KANWALJIT SINGH: Life & Roles!

Aparajita Krishna tells you all about the tall, handsome actor Kanwaljit Singh in this unputdownable interview with him.

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STILL FACES RUN DEEP

Kamlesh Pandey harks back ten years and mines into an interview he did with Amitabh Bachchan, to bring his genius to fore and ...

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WOMEN OF STEEL

Some among us could be talking about the conditions of prisons in the country, and the various challenges faced by inmates, but only a handful ...

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Figuring out Chaddha

An essential quality of cinema is to portray moments that are transitory in human life, writes Satyabrata Ghosh in his take on...

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