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Welcome to Ashok Mishra

The two Hindi films that writer Ashok Mishra is popularly associated with in the cine-goers’ mind are Shyam Benegal’s Welcome to Sa...

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Sex, lies and web chats

Khalid Mohamed reviews the widely-lionised Malayalam film C U Soon, Yaara an exhibition of bare chests-‘n’-bespoke...

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As Tears Go By

Khalid Mohamed reviews the emotionally volatile Pakistani series Khaani, and the quirky Churails, dealing with a vigilante gro...

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Seema Kohli: From the canvas of her life and art

Aparajita Krishna deep dives to Seema Kohli’s work and brings to you her thoughts, which influence her art.

Khushwant Singh: Salaam to the Sardaar

Humra Quraishi writes about the many conversations she had with Sardaar Khushwant Singh. 

Our Tarzans: Bollywood’s romance with the Lord of the Jungle

Film historian, Dhruv Somani, tracks down the unusual repertoire of desi Tarzan movies, which once used to delight Indian audi...

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Copy-right-Copy-wrong

Veena Bakshi reveals the flawed system by which our Indian entertainment universe operates; where copyrights holders may as we...

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Who decides?

Newcomers we were to this survival game, to this locale, to this one-room setting, to this downslide, to this helplessness. We were new at sawi...

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What a change!

I turn towards him and stare at him – he’s a lump of flesh, which just breathes, writes Humra Quraishi

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Wake up & smell the Propaganda

Liquidity via monetary policy is like blood infusion into a patient admitted for a heart transplant in a near death situation. And fiscal stimu...

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