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I will always be an art filmmaker - Sanal Kumar Sasidharan

Cinema in the time of spiralling budgets is not his scene. Sanal Kumar Sasidharan, the 41-year-old outspoken di...

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Bombay Old Fashioned benefits the Light of Life Trust

Back in the Nineties, before Bollywood became mainstream and took over every aspect of our lives, TV channels l...

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Barry: Blended in Comedy and Conscience

The last podcast I heard gave me so much meaning to my life on a personal plane. Let’s chip away the redu...

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Did Critics go easy on the Phantom Thread?

Phantom Thread, the lush gothic romance from auteur Paul Thomas Anderson was the art-house f...

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Reforms on Sexual Violence hardly reach Women with Disabilities

Research suggests that women with disabilities are more likely to experience domestic violence, emotional abuse...

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How do we Indians Protect our Beti?

Over ten years ago, in 2006, Anu Ranjan, the Co-Pu...

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#PayMeToo Campaign to close the Gender Pay Gap

April 10th was Equal Pay Day, which marks the point in the year where women in the US have to work to catch up ...

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Pride in Art to Launch the Vancouver Queer Art Gallery

What is a mark? The Queer Arts Festival ask a simple question. In a settler colonial society, we have a very so...

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Films: Opportunity in the Crisis

In several of my recent articles I have written about the crisis facing Indian film industry, specially Bollywo...

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The Politicization of Social Media

Back in 2012, a national survey questioned 3,000 young people, ages 15-25 on how they use the Internet, social ...

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