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When men change and repent: Cinema of Kenji Mizoguchi

Men are at loose ends without women to enslave, to desire, to abandon. Sharad Raj explores why the director is forgiving of th...

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Satyajit Ray: 10 Great Sequences

The films of Satyajit Ray have provided us with iconic moments that celebrate the many hues of life, all shot w...

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Reimagining Ambedkar

Ambedkar appears in many different ways in the ordinary life of Dalits, writes Badri Narayan&nbs...

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Reflecting humanity through the struggle of a woman: Federico Fellini

Much before he made 8 ½, Federico Fellini, the Italian master, had honed his neo-realist pursuits, writes Sharad Raj. <...

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The Sound of Dubbing

Film historian Dhruv Somani discusses how and why top Bollywood actors down the years, have been ghost-voiced by dubbing artis...

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They stand united now

The unity program initiated by farm leaders can take the shape of a cultural revolution in rural north India, writes Kancha Ilaiah Shep...

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Signs of the times: Imagine all the people…

Humra Quraishi wonders if it is the need of this time to revive the Progressive Writers Movement in India.

Bhagat Singh’s writings on caste

In his writings on caste, Bhagat Singh understood the practice of untouchability and its associated binary of purity-pollution as an integral p...

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Two different occasions: Conversations with B Jayashree & Jyoti Subhash

Aparajita Krishna recalls conversations with theatre veterans B Jayashree and Jyoti Subhash, both mega-talents in the times th...

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Oh, those snakes and ladders

Khalid Mohamed reviews the politics-as-usual drama Madam Chief Minister, is brain-boggled by Qubool Hai 2.0 and finds sol...

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