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The Exodus

As desperation and frustration increases amongst workers trapped in the city with no work and no money, they attempt to escape in whichever way...

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Across the Border: Mammo

Khalid Mohamed recalls how he wrote the real-life story and screenplay of the National Award-winning film, Mammo, now accessible on YouTube and...

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Conversion of sorts!

Nodding, I walked back, towards home… I opened the window to let in some fresh air but what came in the way were those dengue warnings f...

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KASHISH grant to make films on LGBTQ+

Call for submissions open to KASHISH QDrishti Film Grant 2020

KASHISH Mumbai International Queer Film Festival, South Asia’s biggest and India’s most ma...

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Outsiders

Photographed by SL Shanth Kumar, photojournalist for Times of India, Mumbai, this essay is edited and curated by Shailesh Andrade.

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The quiet fade-out

How many care for a yesteryear star after her last breath? Here’s addressing the question, over a month after the passing away of yestery...

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Homeless

Photojournalist SL Shanth Kumar traveled around the city of Mumbai in Maharashtra documenting the plight of these workers and has noticed the number of people living on the...

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How marketers can think about a Post - COVID-19 world

Perhaps it may be a little too early to say this, but we may be reaching peak lockdowns in many places around the world. The curves aren’...

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Farewell Mrs Gulshan Ewing

Left: Gulshan Ewing with Danny Kaye and Right: with Cary Grant 

Khalid Mohamed pays tribute to Mrs Gulsh...

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COVID-19: What it means to Business - Part 2

In continuation of a three part series on COVID Survival Guide for businesses, especially small businesses/ startups by Alok Jagdhari <...

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