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Paradisos Lost

With the ongoing pandemic, the future of the surviving single-screen cinema halls is under a question mark. Film historian, Dhruv Soman...

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Broken windows and promises

Humra Quraishi recalls her conversations with Abdul Ghani Lone, Maulana Abbas Ansari, Abdul Gani Bhat and Yasin Malik at separ...

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Whose normal is it anyway?

Vandana Kumar goes around John Cassavettes’ ‘A Woman Under the Influence’ and discusses how Independent Cine...

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After a Pause

Film historian Dhruv Somani, writes on Bollywood’s comeback syndrome, or why top stars quit and then reboot their careers.

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Signs of the times: Time to talk truth to power

Humra Quraishi’s commentary demands answers and accountability for the sufferings of innocent people and she insists tha...

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Sign of the Times: Tyranny is simply tyranny!

Humra Quraishi discusses the state of eternal damnation, which those who are released after having spent years of imprisonment...

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Exploring the Darker Side

After watching a couple of her films, Vandana Kumar believes, that it couldn’t be merely a coincidence that Isabelle Hup...

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Short-changed in life

Film historian, Dhruv Somani, recollects the tragic story of the charismatic star Priya Rajvansh, who if she were alive would ...

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In gentle streets where people play

I first met Suryaveer (it tickles my Panjabiat to call him Veera) in the year 2004, writes Vinta Nanda

Missing Soumitrababu

The 1950’s down 70’s are often considered as the ‘Golden Era’ of Bengali Cinema, reminisces Rwita Dutta Read More