I WOULDN’T HAVE IT ANY OTHER WAY!

Vinta Nanda explores the making of a poet, reaching nowhere obviously, because ‘if we knew what makes a poet, everyone w...

SMASH THE PATRIARCHY

Priti Chandriani, Veena Bakshi and Lygia Mathew run the ‘only’ Cinema Collective, and they held a day-long event where panel discus...

CHICK TO CHIC: ARC OF THE INDIAN ADVERTISER

Monojit Lahiri checks out if today's Indian women are accurately portrayed by our adfrat or not?

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The Principle Of Sarva, Dharma, Sambhav

This week Humra Quraishi visits Ghalib and Mir, their poetry and arrives at the understanding of Sarva, Dharma, Sambhav throug...

SALUTING THE MEMORY OF THE EVERGREEN AWARA

Monojit Lahiri pays homage to India’s greatest showman, the one and only - Raj Kapoor.

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The Making of Amruta Subhash

Aparajita Krishna writes, “Amruta Subhash was cradled by very strong creative influences. Mother Jyoti Subhash (nee Desh...

Whose Wedding Is It Anyway?

What is between recent popular Malayalam flicks and the wedding eve ceremonies in the bride’s house, asks...

DOES WATCHING ART-HOUSE CINEMA RAISE YOUR SOCIAL STATUS?

Now that the Kolkata Film Festival is done and dusted, Monojit Lahiri does a checkout on this contentious issue.   Read More

Finding Ganga

Film historian Dhruv Somani, recounts the arduous process that was involved in the casting of Mandakini in Raj Kapoor’s ...