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FIFTY YEARS AFTER GARM HAVA

Garm Hava (1974) is undoubtedly the best Indian film to capture the pain of Partition that swept the Indian subcontinent, writes O.P. Srivastav...

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A MAN FROM MOTIHARI: ABDULLAH KHAN

\Aparajita Krishna writes, “The Boy of ‘Patna Blues is now A Man From Motihari!”

On Watching Ponniyin Selvan

Satyabrata Ghosh reviews PS-1, a Mani Ratnam film, and discusses why such alternate content is of prime importance at a time w...

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The Soap Opera

Film historian, Dhruv Somani, tracks the Bollywood stars who have endorsed the iconic Lux toilet soap over the decad...

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Double Whammy

Film historian Dhruv Somani writes on Bollywood’s fascination for double role movies, down the decades.

PAST IS MY MASTER AND EVENING MY DAWN: VINAY SHUKLA

His film-work has been artistically selective and also across-genres, fairly mainstream, writes Aparajita Krishna.

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‘You Want Crorepati Glasses?’

It’s everywhere, on the streets, in living rooms, on cellphones and endorsement billboards. Khalid Mohamed writes on the...

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SUPREMO

Khalid Mohamed recollects a conversation with the quick-witted Kerala superstar, Mammootty, who’s still going iron-stron...

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DEVDAS: The Many Incarnations!

Aparajita Krishna visits Sarat Chandra Chattopadhyay’s Bengali novel published in 1917, but said to have been written in...

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Scent of a Killer

Film historian Dhruv Somani, revisits Rajesh Khanna’s slasher film Red Rose, which was a flop on its release in 1980 but...

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