PAST IS MY MASTER AND EVENING MY DAWN: VINAY SHUKLA

His film-work has been artistically selective and also across-genres, fairly mainstream, writes Aparajita Krishna.

Read More

MYTHWOMAN

Move over Amish. With the innovatively titled ‘Sati Series’, Koral Dasgupta is providing a much-welcome lens through which to look ...

That Daisy Fiasco

Film historian Dhruv Somani flashbacks to the furore, which erupted over Sharmila Tagore’s Malayalam film (1979). Dubbed...

DEVDAS: The Many Incarnations!

Aparajita Krishna visits Sarat Chandra Chattopadhyay’s Bengali novel published in 1917, but said to have been written in...

The Gone Girls

Film historian Dhruv Somani focuses on yesteryear’s gutsy Sheetal and Leena Das, who have vanished into a limbo today. Read More

The Human Voice

Khalid Mohamed, who was commissioned to write the official autobiography of Nusrat Fateh Ali Khan (1948-1997)...

Gehraiyan – Yes or No?!

Monojit Lahiri investigates how deep is deep in extra-marital journeys, in reel and real life.

Read More

Shakespeare in Bollywood

Shakespeare travels, writes Farrukh Dhondy, in his piece on how well and how not so well the bard’s writing has been ada...

Sardar Udham: The Shadow Man

Satyabrata Ghosh explains why the film Sardar Udham should be watched to fathom what undying love for one’s own country ...