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Lenses, Women & Trauma

Cinema from Israel has been getting a lot more recognition globally – in terms of prestigious awards and academic courses revolving aroun...

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SMOOCH: Bollywoods Shaky Affair With The Kiss?

Monojit Lahiri investigates ‘the kiss’ in Bollywood cinema and the reasons why it has barely transcended the cooch...

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The Defiant Ones

Khalid Mohamed marvels at the bold and timeless writings of the iconic writers Ismat Chughtai and Saadat Hasan Manto, on the b...

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The Poetry of the Quotidian of Aki Kaurismäki

Vandana Kumar writes, “To think of Finnish cinema, is to think of Aki Kaurismäki. Apparently, this perception isn&r...

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My Mother’s Girlfriend Wins Big!

Marathi film ‘My Mother’s Girlfriend’ wins the Best Short Film award at the International Documentary and Short Film Festival...

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Taboo Love and the Sensibility of Agnès Varda

Her cinema played with subversive and controversial subjects even as she kept up her engagement with the political environment of her times int...

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A dog, a boy and a film: Musings on Kala

Janaky Sreedharan reviews the Malayalam film Kala (the unwanted) and raises questions on the obsession with violence and its d...

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The Iconoclast

Long before Angela Merkel became a messiah for Arab migrants and courted controversy, there was Adolf Hitler wh...

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The art of Rishi Kapoor

Reema Moudgil takes you on a trip through Rishi Kapoors body of work and his many reinventions as an actor who scaled Bollywoo...

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Shabana Azmi says 'Evening Shadows' should be seen by every Family

Eminent actor Shabana Azmi had tears in her eyes after watching the feature film 'Evening Shadows' at the Lonavala International Film ...

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