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A Quart of Ray

Ever since Satyajit Ray passed away, his works have made it to the screen in sterile, ineffectual adaptations. Netflix’s Ray corrects tha...

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Rambha Ho: Never Say Never

“Who says I have quit forever”, asks the screen sensation of unforgettable dance numbers, Kalpana Iyer, in a chat-fest with film hi...

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Dreaming big for the vulnerable: Chhitra Subramaniam

Vinta Nanda thinks that one of the greatest pleasures of running The Daily Eye is that you wak...

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Signs of the time: The Trolley Times

No New Years greetings from me to you. There is little to celebrate, writes Humra Quraishi

Deepika Padukone is India’s most beautiful and glamorous

MS Dhoni is India’s Most Innovative; Saina Nehwal is India’s Most Reliable & Vikrant Massey is India’s Most Progressive a...

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Fly in the ointment: TRP’s

When ‘life’ jives with storytelling evolution happens, writes Vinta Nanda

Ra...

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A Mother’s Metamorphosis

Bhooma Sundararajan introspects on parenting through the experience of watching her own daughter giving birth.

Salim Arif: His Work of Many Parts

It is a daunting task to undertake summarising Salim Arif’s multifaceted talent and work resume in a few pages, writes ...

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Gas-lighting: The News Normal

Vinta Nanda analyzes the news media as it stands today and what it can achieve for its mass audiences if it so chooses to do.<...

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A Ringside View of Circus

Janaky Sreedharan writes that to read a book on circus is, in a way, to revisit our childhood - to recall the color, joy and a...

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