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The Varanasi mystique

A photo-essay by Ashis Ghatak, vivifying how the winter sets in on the holy city of Varanasi, on the banks of the River Ganges...

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Muslim, Christian & Hindu: Kiran Manral

Some time ago in pre-COVID times, I was in a room full of friends and when I sit back to recall, what comes to mind is that which perfectly def...

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Clicking London

Vatsal Shah’s photo-essay set in the British capital, where the only constant is change.

Patterns of Good Faith

On the occasion of Navroze, the Parsi New Year, a photo-feature by Ashwini Ashok Sood, on the auspicious Parsi Chalk designs Read More

Just Carry on: Ebrahim Alkazi

Aparajita Krishna walks you through the life and times of Ebrahim Alkazi; also what it was, that he meant to Indian Theatre.

Who is Teesta Setalvad?

She’s simple, strong and she talks straight. She’s also one of the very few among us, who remains c...

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An Artist’s Political Awakening: From painting Moods of the Season to reflecting the Human Condition Today

Today, an Indian artist can’t venture into areas where angels fear to tread. Representation of goddesses,...

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Shanghai International Film Festival: What’s Around This Year?

There are not many countries in the world with a culture as distinct as China. The country also offers the thri...

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Google @ my First Address in Life and its Fruity Lychee taste: MUZAFFARPUR

I have changed many addresses in life as an itinerant. When I click life@57, it is my first address in life and...

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Haidar Ali @70 & His Familial Film Heritage: A Treasure Trove

Voter-India ought to be voting Nirbhaya (unafraid) in 2018/ 2019 also for the freedom of Film India, Fashion In...

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