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FESTIVAL: V-DAY-ISHQBAAZI…OR DRAMABAAZI??!

Monojit Lahiri checks out if the just-ended V Day is a magical way of looking at a glorious celebration, or is it a power...

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POLITICS: PADMA SHRI, AN ARTIST AND A “SADHVI”

In this poignant reflection, the author, Sharad Raj, contrasts the recognition of iconic artist Prof. Ranbir Singh Bisht with ...

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KALEIDOSCOPE: ARUN KHOPKAR’S CHALAT CHITRAVYOOH IN TRANSLATION

Exploring Arun Khopkar’s reflections on cinema, creativity, and collaboration, this piece by Satyabrata Ghosh who has translated the book in Bengali,...

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THOUGHT FACTORY: SUPERSTARS CAN'T SAVE FAILING FILMS

"Big budgets, bigger stars, and colossal failures—Indian cinema’s crisis lies not in its cast but in sidelined storytellers, as aud...

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FESTIVALS: CELEBRATING 25 YEARS OF ARTISTIC SPLENDOUR

Salim Asgarally, Deepa Gahlot and I experienced Mumbai's vibrant heartbeat at Kala Ghoda Arts Festival 2025—where heritage meets creativi...

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SUSTAINABLE DEVELOPMENT: EMPOWERING VOICES IN KASHMIR

Empowering Kashmiri women through education, skill training, and One Billion Rising, Anhad’s community-driven movement promotes gender eq...

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FESTIVALS: A CELEBRATION OF FIBRE ART

Milaaya Art Gallery: Pioneering Fibre Art in India, redefining traditional embroidery as fine art, preserving heritage crafts, empowering artis...

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KALEIDOSCOPE: A VAST CINEMATIC LANDSCAPE

Exploring Indian cinema’s unsung gems, Tejas Poonia’s insightful book showcases low-budget films, cultural phenomena, and cinematic...

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BUSINESS: HOW INDIAN IS INDIAN ADVERTISING?

As pride, identity and profiling increasingly come into play at the global level, questions will follow: Have we been able to define where Indi...

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KALEIDOSCOPE: NOSTALGIA AND THE TRAIN TO TAIWAN

Sometimes a short story, sometimes a travelogue, this nostalgic journey aboard the Pushpak Express by Sharad Raj captures an u...

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