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HEINER GOEBBELS’ ORACLE MACHINE MUMBAI

At Great Eastern Mills in Mumbai, German composer and artist Heiner Goebbels unveiled The Oracle Machine, a mesmerizing installation of light, ...

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ADAMYA REVIEW BY SAIBAL CHATTERJEE

Writer-director Ranjan Ghosh’s Adamya (The Unbroken) is nothing short of a marvel, writes critic Saibal Chatterj...

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JOY SENGUPTA: ACTOR WITHOUT COMPROMISE

In a rare, deeply reflective conversation with Khalid Mohamed, actor Joy Sengupta traces his journey across theatre, c...

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THE ETERNAL CRISES OF FILM SCHOOLS

From Argentina to India, film schools face political pressure, privatization threats, and ideological control. Sharad Raj refl...

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SHAKESPEARE MEETS BOLLYWOOD DRAMATIC FUSION

Shakespeare & Bollywood – Rab Ne Bana Di Jodi explores how Bollywood borrows from Shakespeare’s dramatic universe, as ...

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INTERGENERATIONAL CINEMA COURAGE CREATIVE DIALOGUE

At the Self-Discovery: Rediscovering India Festival 2026, led by Neville Tuli, emerging filmmakers engaged in powerful intergenerationa...

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POWER, PRIVILEGE, AND OUR SILENCE

A searing reflection on the Epstein revelations and what they expose about unchecked power, privilege, and the illusion of democracy—ques...

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AMITABH BACHCHAN: HINDI CINEMA’S DARK EDGE

The Greatest villain that Hindi films could not have…though one is not complaining about what one got instead. Sharad Raj explor...

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OH CALCUTTA: MEMORIES OF A VANISHING CITY

Khalid Mohamed remembers the ‘City of Joy’, a mahanagar steadily losing heritage, culture, and character, as Calcu...

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KALA GHODA ARTS FESTIVAL 2026: AHEAD OF CURVE

Mumbai’s iconic Kala Ghoda Arts Festival returns for its 26th edition, transforming public spaces into ...

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