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RAMAYANA PART ONE: EPIC RETELLING
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THE NEW BUSINESS OF ENTERTAINMENT
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IS FACE FUZZ TRENDING NOW?
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THEATRE AND THE POWER OF INCLUSION
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PYRE: A PORTRAIT OF ABANDONMENT
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AAKHRI RIDE: MUMBAI AFTER DARK
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EK HAAN BRINGS MANTO ALIVE
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DIWALI IS SERVED WITH LOVE
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AI, ART AND THE HUMAN RIGHT TO CREATE
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CHEF VINITA GHATGE ON REINVENTION
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Search ResultSHAKESPEARE & BOLLYWOOD – JAB THEY MET!!
Manojit Lahiri takes you on a fascinating journey where hamlet and omelet often clash!
Ch...
Read MoreCHINTOO SINGH WASIR: CENTERSTAGE AS SUFI SINGER & MUSICIAN
In the world of contemporary Indian music Chintoo Singh Wasir has emerged from being behind the instruments to centerstage with his Sufi music,...
Read MoreWOMEN INTERRUPTED
Monojit Lahiri investigates what constitutes the attitude towards women in film industries across the world and why women film...
Read MoreThe Filmfare Awards: Nothing ‘Fair’ About It
The history of these prestigious awards is a sorry saga of favouritism and cronyism that has deprived deserving candidates time and again.
PAST IS MY MASTER AND EVENING MY DAWN: VINAY SHUKLA
His film-work has been artistically selective and also across-genres, fairly mainstream, writes Aparajita Krishna.
“Who says only Bollywood songs are gold?!” – Gulzar
As Bollywood’s undisputed Poet Laureate moves from strength to strength, Monojit Lahiri recalls some amazing conversatio...
Read MoreShakespeare in Bollywood
Shakespeare travels, writes Farrukh Dhondy, in his piece on how well and how not so well the bard’s writing has been ada...
Read MoreAll about Eve: A History of the Hindi Film Heroine
All about Eve: A History of the Hindi Film HeroineThe more things change, the more they remain the same when it comes to the portrayal of women...
Read MoreHrid Majhare: The Bard’s Official ‘Debut’ in Bengali Cinema
In the series on landmark Bengali films post 2000, Shantanu Ray Chaudhuri looks at Ranjan Ghosh’s adaptation of Shakespe...
Read MoreA Quart of Ray





Ever since Satyajit Ray passed away, his works have made it to the screen in sterile, ineffectual adaptations. Netflix’s Ray corrects tha...
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