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BOLLYWOOD: MAALIK IS BLOOD, DUST, SWAGGER

Even Earnest Rajkummar Rao Can’t Fully Rescue This Formulaic Gangster Drama. Pulkit’s Maalik is a gritty,...

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RETROSCOPE: THIRTY YEARS AFTER...TIME FLIES

  Khalid Mohamed revisits Bandit Queen (1994), Shekhar Kapur’s film on the dacoit leader Phoo...

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HOLLYWOOD: LOVE, MATH & MODERN MATCHMAKING

A modern reflection on love, class, and emotional currency, inspired by The Materialists—where algorithms meet affection, and ma...

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RETROSCOPE: HIS ENDURING LEGACY IN BENGALI CINEMA

Celebrating the quiet brilliance of Anup Kumar—Bengali cinema’s everyman—on his birth anniversary. A master of nuance, humour...

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KALEIDOSCOPE: REIMAGINING TAGORE – INTIMACY & IDEOLOGY

A bold theatrical reimagining of Tagore’s Ghare Baire, Ghar Aur Bahar explores the fraught intersections of love, ideol...

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FESTIVALS: KASHISH 2025 CELEBRATES GLOBAL QUEER CINEMA

Daniel Craig’s “Queer” and Elliot Page’s “Close To You” to bookend Mumbai’s iconic LGBTQ+ fil...

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POWERFUL PEOPLE: IN THE NAME OF THE FATHER

From Ajmer to artificial intelligence, Kamal Swaroop’s cinematic odyssey spans surreal visions, forgotten histories, and radical pedagogy...

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MOVIES: AAMAR BOSS WEARS MANY MASKS

A bittersweet tale of family, loneliness, and emotional overdrive, Amaar Boss blends sentiment with slapstick, raising valid questions while slipping often into me...

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THOUGHT FACTORY: WHAT MY MOTHER TAUGHT ME

On Mother's Day, I, Vinta Nanda, reflect on how my mother’s clarity in a chaotic world, exposed the dangers of ...

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BOLLYWOOD: IN DÉFENSE OF THE MERCHANTS OF BOLLYWOOD

Glossy or gritty, art or commerce, celebrated or scorned — India’s cinematic juggernaut continues to provoke, inspire, and divide. ...

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