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Mahishasur Marddini: Endless Night…

Filmmaker Ranjan Ghosh speaks to Shantanu Ray Chaudhuri about his soon-to-be-released film…

Claude Chabrol and The Poetics of Murder

My first exposure to the ‘French New Wave’, La Nouvelle Vague, was through Claude Chabrol’s Violette Nozière (1978). M...

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Ritu Nanda’s memoir by Sathya Saran

Being Ritu Nanda: The Unforgettable Story of Ritu Nanda was released recently, here’s the writer Sathya Saran in conversation with Vinta ...

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Signs of the time: For God’s Sake, Be Human!

This week Humra Quraishi questions politicians and lays out bare facts – about human rights and political mischief that ...

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The biography of Sanjeev Kumar

Shantanu Ray Chaudhuri talks to Sumant Batra, who has co-written Sanjeev Kumar’s biography, An Actor’s Actor, with...

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The Three Khans and the emergence of new India

Kaveree Bamzai’s book with fascinating long shots and close-ups is unique for several reasons, writes Monojit Lahiri. Fo...

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Mein hoon PIO!

Farrukh Dhondy observes Indian media in foreign countries and the hype it creates over events there, however, concluding that ...

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Celebrating Bachchan!

It’s his 79th birthday on the 11th October, and S M M Ausaja writes that It’s not easy to ch...

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The art of Gaganendranath Tagore

At the height of darkness comes the first stirrings of dawn - a renaissance in the arts, literature and social life. It is against this backdro...

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Times of Indian Politics

Farrukh Dhondy makes an attempt to understand Indian Politics in context to the self-imploding ideology of Hindutva

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