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Welcome to Ashok Mishra

The two Hindi films that writer Ashok Mishra is popularly associated with in the cine-goers’ mind are Shyam Benegal’s Welcome to Sa...

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Salim Arif: His Work of Many Parts

It is a daunting task to undertake summarising Salim Arif’s multifaceted talent and work resume in a few pages, writes ...

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She loved Cinema: Pamela Rooks

Humra Quraishi revisits the life and times of Pamela Rooks. And, her films, Miss Beatty’s Children and Train to Pakistan...

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Rucha Pathak: Giving vision and wings to the entertainment-fare.

Aparajita Krishna goes on a long walk with Rucha Pathak and gets her talking about her journey - from a student of media to le...

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As Tears Go By

Khalid Mohamed reviews the emotionally volatile Pakistani series Khaani, and the quirky Churails, dealing with a vigilante gro...

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Just Carry on: Ebrahim Alkazi

Aparajita Krishna walks you through the life and times of Ebrahim Alkazi; also what it was, that he meant to Indian Theatre.

Master of Suspense: Ravindra Dave

Film archivist Subhash Chheda, revives the memory of the unsung filmmaker Ravindra Dave, of Hindi and Gujarati cinema, whose f...

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Soundscaping with Bishwadeep Chatterjee

Vinta Nanda says, this is one of the most interesting interviews she’s done for The Daily Eye in so far. Welcome to the ...

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Vyjayantimala: At the confluence of politics, gender and art

Humra  Quraishi recalls a meeting with Vyjayantimala Bali and shares excerpts from an interview she did with her way back...

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Chann Pardesi: Reuniting with the cult-classic

Aparajita Krishna writes, Chann Pardesi would be a stranger to the young cine-goer, India 2020, including the young diaspora g...

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