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Joy of Acting

Khalid Mohamed talks shop and more with Ali Fazal, who has wowed audiences with a wide range of films like Fukrey and Victoria...

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DILIP KUMAR: THE BIG BURGLAR

Dilip Kumar burgles his way into the performance of every Indian actor of substance whether the actor likes it or not, writes Kamlesh P...

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Play It Again

Film historian Dhruv Somani, tracks the highs and lows in the playback singing and acting careers of Shailendra Singh, who had...

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Man of Miracles

Khalid Mohamed misses the wonder director Manmohan Desai, whose ultimate ode to secularism, Amar Akbar Anthony, is such a perf...

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Broken windows and promises

Humra Quraishi recalls her conversations with Abdul Ghani Lone, Maulana Abbas Ansari, Abdul Gani Bhat and Yasin Malik at separ...

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The Afterlife of Kudrat

Film historian Dhruv Somani, re-evaluates Chetan Anand’s take on reincarnation forty years later.

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The Hairdresser’s Husband: Too Much of a Good Thing?

Vandana Kumar explores how a film like The Hairdresser’s Husband starts as a man’s...

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Where there is no will, there is violence

Humra Quraishi talks about how polarisation in grassroots India, by the use of state machinery...

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The Missing Documentary

Khalid Mohamed writes on his documentary on the superstar cinematographer, Ashok Mehta, which ...

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Three Colours: Red - A celluloid poem

Mallika Bhaumik reviews Krztysztof Kieślowski’s Three Colours Red and reads the auteur’s mind while elucidating her own thoughts ...

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