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In gentle streets where people play

I first met Suryaveer (it tickles my Panjabiat to call him Veera) in the year 2004, writes Vinta Nanda

Ghost ghost na raha

Khalid Mohamed strives to sit patiently through the season’s supposed scarefest, Durgamati - the oddball series Bhaag Be...

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Hello Jyoti Kapoor!

Aparajita Krishna takes a tour with Jyoti Kapoor, the young film-writer (story, screenplay, dialogue) who carries in her petit...

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Signs of the times: Anthems of Resistance

Humra Quraishi questions the idea of human rights in times when basic things like food securit...

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Blow hot, blow Coolie

Khalid Mohamed sneaks a peek at the trailer of Coolie No. 1… and finds mega-relief in Darbaan and Mank.

Let’s Go to the Pictures

Rumi Taraporevala writes on the ‘masti-majaa’ of watching the movies with his buddies

Hard Day’s Night

Film historian Dhruv Somani, clocks into Bollywood films, which were set in a tension-packed time frame of 24 hours.

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Seijun Suzuki: Master of the Japanese Film Noir

The most traveled and hence the most influential of the film genres that evolved in Hollywood film studios is p...

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Amazing Grace

Film historian, Dhruv Somani, pens the untold story of the playback singer Suman Kalyanpur, who retired from the hurly burly o...

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Signs of the times: Unanswered Questions

I’m not being a pessimist but a realist in stating aloud that these last eight months have been suffocati...

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