ACTOR with a CAUSE

Khalid Mohamed’s heartspeak with Atul Kulkarni, the actor of substance and spleen, who has lately been making waves with...

Music Knows No Caste

After garnering critical acclaim and winning the FIPRESCI Award at the Bangladesh International Film Festival 2022, Bangladeshi filmmaker Shabn...

Crime Drama, Women and Claude Chabrol!

Writes Vandana Kumar, “No one takes you away from one-dimensional morality while trying to fathom his women charact...

Shreejith Mohan wins KASHISH 2022 poster contest

South Asia’s biggest LGBTQIA+ film festival to be held June 1-5, 2022, reports The Daily Eye Newsdesk.

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The Human Voice

Khalid Mohamed, who was commissioned to write the official autobiography of Nusrat Fateh Ali Khan (1948-1997)...

Is Shaadi, Barbaadi??

\Whatever happened to the pavitra bandhan that symbolised this revered bonding? Why does the M word evoke such deep suspicion, apprehension and...

Baba Baby O…

From surrogacy to single parenting to a May-December romance, Aritra Mukherjee’s film is a classic case of too many themes going nowhere,...

The uphill struggle to adulthood

A critical analysis of Rima Das’s Bulbul Can Sing (2018) by Dipankar Sarkar.

With h...

Hate mongering and dreamy love songs

Humra Quraishi asks us how we can participate in assemblies of pleasure and write dreamy love songs, in this atmosphere of vio...