Signs of the times: India’s battle for its soul

Humra Quraishi looks back at the last seven years in India, through the lens of A.G. Noorani’s writings about the RSS an...

Rediscovering a Genius Artist

Khalid Mohamed in conversation with Patrick Bensard, director of the prestigious Cinematheque de la Danse of Paris, now docume...

Mise en scene: a metaphysical expression

Sharad Raj writes that to arrive at one’s mise en scene is to liberate oneself from dogmas that are both personal and in...

Sidharth Sengupta: Goldie’s Serial Count!

Aparajita Krishna makes a tortoise run, and faster than a hare, when she wants. Here she makes...

Bees Saal Baad Revisited

Film historian Dhruv Somani, rewinds to the classic chiller, which continues to enthrall viewers of all generations, ever sinc...

The Discreet Charm of the Bourgeoisie

Sharad Raj writes that Bunuel has been called a cruel filmmaker, he sees that we are hypocrites, admits to being one and belie...

After a Pause

Film historian Dhruv Somani, writes on Bollywood’s comeback syndrome, or why top stars quit and then reboot their careers.

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How feminism works in rural India

Vinta Nanda explores how feminism works in rural India and the Grassroots Leadership Development Program of CORO India.  ...

Not time-pass. Lockdown is time well spent

Senior professionals from various fields talk to Monarose Sheila Pereira about how they have honed various skills during the p...