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THOUGHT FACTORY: WHY CINEMA STILL MATTERS
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ALTERNATIVE ENTERTAINMENT: DISCOVERING JEWELS AMONG THE JUNKPILE
Exhausted by the excessive violence, toxic masculinity and crass comedies of pan-Asian and global cinema, Khalid Mohamed share...
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FESTIVALS: STORIES THAT AWAKEN THE WORLD
A masterclass on Conscious Storytelling at WIFF Mumbai 2025 explored how cinema can elevate empathy, awareness, and collective purpose across c...
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THOUGHT FACTORY: 30 YEARS OF DDLJ & STILL RUNNING
From Eurorail to Sarson Ke Khet: An Ethnography of DDLJ’s Everlasting Romance with India by Yashika Begwani, explores wh...
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FESTIVALS: WHEN CINEMA CREATES CHANGE
Inside the Impact Storytelling Masterclass at WIFF Mumbai 2025: At the Waterfront Indie Film Festival Mumbai 2025, filmmakers ...
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RETROSCOPE: MIRACLE AND ‘THE CURSE’ OF JAI SANTOSHI MAA
Khalid Mohamed looks back at 1975, the year of Sholay and the miraculous success of Jai Santoshi Maa and its aftermath — a cinematic cont...
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MOVIES: A GENTLE DOWNPOUR OF INDIE SUCCESS
Ritopriyo Saha’s short film Chhoti Baarish (Little Rain) is creating ripples across the global festival circuit — from Ban...
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POWERFUL PEOPLE: THE QUESTION UNANSWERED
As India celebrates the birth centenary of Dr. Bhupen Hazarika, the Bard of the Brahmaputra, Utpal Datta recalls a poignant co...
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ALTERNATIVE ENTERTAINMENT: FETED ABROAD, FORGOTTEN AT HOME
When art-house brilliance wins global acclaim but faces neglect in its own country, it forces us to question the moral compass of our cinematic...
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TRENDING: TIMELESS LIGHT AND LIVING MEMORIES
At Piramal Gallery, NCPA, I revisited Bombay’s cultural past through the lens of twin photographers Debolina Mazumdar and Monobina Roy &m...
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BOLLYWOOD: ARYAN KHAN BREAKS BOLLYWOOD RULES
“I am in love with your wife (Maya)!” — a line from Kabhi Alvida Naa Kehna becomes the metaphorical cue for Aryan Khan’...
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