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Chann Pardesi: Reuniting with the cult-classic

Aparajita Krishna writes, Chann Pardesi would be a stranger to the young cine-goer, India 2020, including the young diaspora g...

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Work From Home: The Perfect Opportunity

Anupama Mandloi explores WFH business models of Stanhope Garden Gourmet Bakes, Home Food Studio and Whimsical Baker and brings...

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Richard Gere: In Conversation

This is the 30th year of the global hit Pretty Woman. Khalid Mohamed pulls out excerpts from an exclusive interview with Richa...

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Wedding Photography: In a state of limbo

Photographer Vatsal Shah, writes on the drastic downturn in the industry of professional photography in the time of the corona...

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Khushwant Singh: Salaam to the Sardaar

Humra Quraishi writes about the many conversations she had with Sardaar Khushwant Singh. 

Meet Roshni Nuggehalli and Marina Joseph of YUVA

In this time of Covid-19, the world has witnessed upheaval in almost every sphere of life while impacting the s...

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Vanished III: The male actors who disappeared from Bollywood

Film historian, Dhruv Somani, concludes his series on t...

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Sycophancy: At the intersection of Art & Politics

Vinta Nanda writes about the mood in the country. She says that Bollywood and Indian Politics,...

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Question of Age: The believe-it-or-not pluck of Chunibala Devi

Khalid Mohamed writes on the uncanny story of Chunibala Devi, who at the age of 80 portrayed the tetchy yet lovable village gr...

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Indian Media: Delete, Copy, Paste & Repeat

Amit Khanna writes that a simple definition of news is organized information about a changed situation, events, happenings and...

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