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Business and Politics

No Coincidence No Fiction: The Urban Mela

Ranjit Rodricks writes that the loot that’s taking place in broad daylight today, is just like a Mela in a faraway villa...

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Movies

Those Courtesan Days

Film historian Dhruv Somani, writes on the near-extinct genre of Bollywood films, which took you into the kothas and durbars o...

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Thought Factory

Whose Bollywood is it anyway?

Vinta Nanda disagrees with Kangana Ranaut’s rants on national television, which cleverly camouflage political mischief.<...

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TV

As Tears Go By

Khalid Mohamed reviews the emotionally volatile Pakistani series Khaani, and the quirky Churails, dealing with a vigilante gro...

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Kaleidoscope

Ways of seeing Mumbai

A photo-essay by Megh Bhavsar on the city as perceived through the eye of his camera. Text Edited by: Khalid Mohamed <...

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Kaleidoscope

To the story I was born

Aparajita Krishna plunges into her rich past, where there is a paean to her left leaning parents who inhabited India’s r...

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Festivals

Patterns of Good Faith

On the occasion of Navroze, the Parsi New Year, a photo-feature by Ashwini Ashok Sood, on the auspicious Parsi Chalk designs Read More

Retroscope

The Forever Story: Protima Gauri (Bedi)

Humra  Quraishi writes that Protima Bedi, was the quintessential modern Indian woman who had once written her own destiny...

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Business and Politics

Badshah: On the mat

The recent controversy over rapper Badshah, allegedly buying likes and views opens up the debate over fake followers on social media once more,...

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Alternative Entertainment

Just Carry on: Ebrahim Alkazi

Aparajita Krishna walks you through the life and times of Ebrahim Alkazi; also what it was, that he meant to Indian Theatre.

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