Similar strokes

Call it a coincidence or plain copycatting. Film historian, Dhruv Somani, writes on the curious clashes between Bollywood film...

She loved Cinema: Pamela Rooks

Humra Quraishi revisits the life and times of Pamela Rooks. And, her films, Miss Beatty’s Children and Train to Pakistan...

Radical and Revolutionary: Smruti Koppikar

In this interview with Vinta Nanda, Smruti Koppikar throws light on the way that journalism in India has chan...

Practise Propriety: CINTAA to Indian Television News Media

The Cine and TV Artists Association (CINTAA) is upset over the objectionable way that a section of Indian Television News Media is characterizi...

Of Fearless Art

Khalid Mohamed in conversation with Bangalore’s iconoclastic artist, Pushpamala N,  famous for her photo-romances o...

A Ringside View of Circus

Janaky Sreedharan writes that to read a book on circus is, in a way, to revisit our childhood - to recall the color, joy and a...

Don’t Call her Aunty

Khalid Mohamed finds relief in Masaba Masaba and other fare on the streaming channels currently.

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Rucha Pathak: Giving vision and wings to the entertainment-fare.

Aparajita Krishna goes on a long walk with Rucha Pathak and gets her talking about her journey - from a student of media to le...

From Activism to Slacktivism

Amit Khanna writes that even as hundreds of millions wake up to a good morning message from friends and family, an equal if no...