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Father Of The Groom

Makrand Deshpande’s new play Pitaji Please—should count among his best so far—deals with parental anxiety caused by an offspr...

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Of Optics and Opportunism

“We are not to empathise anymore with human pain if it inconveniences entrenched power structures and the politics of privilege. Ever...

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The legend of Raj Kapoor in times of hyper PR

“Awara is a classic. The times in which it was made were very different. Gone With the Wind was the flavor of the seaso...

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The Power Of Chocolate

Vianna Rocher and her magical chocolates first featured in the bestselling book Chocolat by Joanne Harris, which was turned into an Oscar-nomin...

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Women’s Voices

The experiment of staging a selection of monologues worked well in Gujarati. In the first collection of seven short plays-- Saat Teri Ekvees (7...

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RIP Journalism

‘The vast wasteland of TV is not interested in producing a better mousetrap but in producing a worse mouse.’ -- Laurence C...

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Never Give Up

Like all his books, Harlan Coben’s latest Run Away has hit the bestseller lists. The standalone novel about the travails of a family goes straight for the he...

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Urban Fairytale

“Who will believe a woman, who went willingly with her boyfriend to a private party, and the rape that ensued, had the grey area ...

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Whose Life Is It, Anyway?

Deepa Gahlot writes in her review of Jodi Picoult’s, A Spark of Life, “Women’s reproductive rights have always been under thr...

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When Kaga Calls

The Devotion Of Suspect X  won Keigo Higashino a worldwide fan following, and his other books like Malice...

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