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BHOOTH BANGLA REVIEW: MISSED COMIC HORROR

Arnab Banerjee examines Bhooth Bangla, dissecting its failed blend of horror and comedy, uneven narrative, and wasted performances in this detailed review ...

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CINEMA VERSUS VERTICAL STORYTELLING SHIFT

Vinta Nanda explores how vertical storytelling is reshaping audience behaviour, why independent cinema must build communities,...

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WHY INDIAN TELEVISION IS FAILING

Vinta Nanda examines the sharp decline in Indian television viewership, exposing outdated storytelling, stagnant formats, and ...

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CINEMA THAT BREATHES IN STILLNESS

An evocative evening of French and German short films in Mumbai explores stillness, abstraction, and instinctive storytelling, as filmm...

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A TIMELY DIALOGUE AT IFFD 2026

A powerful panel at IFFD 2026 brings together leading independent filmmakers to examine opportunities, challenges, and the evo...

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BHARATMATA BROUGHT BACK TO LIFE!

Bharatmata cinema hall returns to Mumbai’s Lalbaug, writes Avinash Kolhe, reviving single-screen legacy, Marathi cinema ...

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BOLLYWOOD IGNORES WOMEN IN COMEDY

Monojit Lahiri investigates the persistent absence of strong comic roles for leading Bollywood actresses, examining industry b...

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DELHI RECLAIMS CINEMA AND CREATIVE DIALOGUE

Anchored by Artistic Director Vani Tripathi Tikoo’s powerful reflection, IFFD 2026 marks Delhi’s cultural resurgence through independent cinema...

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HUSAIN’S JOURNEY THROUGH HIS MUSES

That Search For A Muse: M.F. Husain’s Lifelong Quest for Inspiration: Khalid Mohamed writes on the litt...

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IFFD 2026 OPENS GLOBAL DIALOGUES

IFFD 2026 - A Festival of Dialogue, Discovery and Global Exchange: With Oliver Laxe’s Sirât opening and S...

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