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Hrid Majhare: The Bard’s Official ‘Debut’ in Bengali Cinema

In the series on landmark Bengali films post 2000, Shantanu Ray Chaudhuri looks at Ranjan Ghosh’s adaptation of Shakespe...

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Signs of the time: No light in dark times

Humra Quraishi addresses the politically exploitative atmosphere in Uttar Pradesh as assembly elections come closer and the ri...

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Times of Indian Politics

Farrukh Dhondy makes an attempt to understand Indian Politics in context to the self-imploding ideology of Hindutva

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Mirror, Mirror on the Wall

In Agnès Varda’s 1962 film Cléo from 5 to 7 (French title Cléo de 5 à 7)...

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The Hazards of Adaptation: Chimamanda Ngozi Adichie

Ranjan Das focuses on the challenges that confront filmmakers when adapting vast and expansive authored works, by placing Half...

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An anthem and counter-anthems: Pyaasa

This was written during the years, to be precise 2017, when playing the national anthem before movies was mandatory in halls, writes Ju...

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Signs of the time: Silencing the past

Humra Quraishi writes about Jallianwala Bagh, the tragic memories it holds, and the recent renovations made that have snatched...

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The Art of Ramkinkar Baij

Modern Indian sculpture as we know it began with Ramkinkar Baij. Shantanu Ray Chaudhuri looks at the works and legacy of a pio...

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A Fragmented Sky

Through her memories, Farah Diba Israfil encapsulates the pre-and-post-COVID eras, the recent and the deep past of Indian cult...

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Building bridges: Rekha Surya

Even before her soulful voice creates magic and captivates you, her charismatic persona hits you with an overpo...

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